While the bones of the home were heavenly (while sitting in the living room you can look up and see all the way through the cupola) the style felt a little more like a lodge than a home. So, the timbers and doors and windows were all painted white (Benjamin Moore “Linen White”), in a terrifying process using plywood sheets and ladders to reach the some 40 feet up. Iron balusters were updated with steel cable and tempered glass. In Betsy’s studio, she took the dark green former stables and painted everything white and added casements under the window to allow for more natural light in the somewhat cave-like space. The last vestige of the lodge feel for Betsy and Peter is their fireplace, and because of the scale, it will take a while for them to figure out what the perfect replacement will be. While the open spaces were something Betsy had dreamed of, and one of her favorite features, they do create the design challenge of being able to see everything from one end of the house to the other. Betsy had to make sure when she was designing the space that everything felt cohesive. Scale is also a key design element in their home — pieces that once felt huge in their last home were now dwarfed in the massive barn house.
Creating a space that was colorful, informal, incorporated furniture inherited from Betsy’s grandparents (traditional on one side and mid-century from the other), and that could handle two wild boys, was essential. Betsy is most thankful for the former stables that became her studio, originally thinking that she would have to rent a studio before they found their home. Betsy explains, “The feeling of old time past and rustic white wood are so brand-friendly. It’s a luxury to work while the boys are home and at night without leaving the house. I also bring them into the studio to make projects like tie dying and painting. Plus I like for them to be exposed daily to my work and to art and design — I hope to inspire them.” She also never takes the open space for granted, especially during the long winters. Betsy adds, “They run around, build obstacle courses, and shoot Nerf bullets all over the place. It really helps keep them ‘out of my bubble’ and I can see everything they’re doing while cooking, etc.”
Adore Your Walls started four years ago when CEO and founder Liz Lidgett started offering art advisory services to restaurants, businesses and homeowners to find the perfect piece of art for their style, space and budget. The business started from her home in Des Moines, IA, but she has worked with national brands and clients all over the country to add more color and culture to their walls. This last year, Adore Your Walls gained startup experience from Kate Wagner, Liz’s sister, as COO. The two share a passion for creating more beautiful rooms with carefully curated art. The company has since grown rapidly and Liz and Kate recently moved from Liz’s dining room table to a 1,000-square-foot office in the historic Temple of the Performing Arts in Downtown Des Moines.
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